The Tragedies (Antony and Cleopatra / Coriolanus / Cymbeline / Hamlet / Julius Caesar / King Lear / Macbeth / Othello / Pericles / Romeo and Juliet / Timon of Athens / Titus Andronicus / Troilus and Cressida)

About the Category

William Shakespeare published The Tragedies (Antony and Cleopatra / Coriolanus / Cymbeline / Hamlet / Julius Caesar / King Lear / Macbeth / Othello / Pericles / Romeo and Juliet / Timon of Athens / Titus Andronicus / Troilus and Cressida) in 1847, and it has since become one of the more widely recognised works of classic literature from International. The book's treatment of the human condition accounts for much of its enduring reputation. Critics and institutions have consistently placed The Tragedies (Antony and Cleopatra / Coriolanus / Cymbeline / Hamlet / Julius Caesar / King Lear / Macbeth / Othello / Pericles / Romeo and Juliet / Timon of Athens / Titus Andronicus / Troilus and Cressida) among the notable works of its period. Our aggregate score of 46/100 is compiled from 1 editorial sources that range from Nobel and Booker committees to leading literary journals. The appeal of The Tragedies (Antony and Cleopatra / Coriolanus / Cymbeline / Hamlet / Julius Caesar / King Lear / Macbeth / Othello / Pericles / Romeo and Juliet / Timon of Athens / Titus Andronicus / Troilus and Cressida) lies partly in its refusal to offer easy answers. Its exploration of the human condition is sustained, textured, and genuinely thought-provoking in ways that stay with readers well after the final page. William Shakespeare's role in the literature of International is well established. The Tragedies (Antony and Cleopatra / Coriolanus / Cymbeline / Hamlet / Julius Caesar / King Lear / Macbeth / Othello / Pericles / Romeo and Juliet / Timon of Athens / Titus Andronicus / Troilus and Cressida) can be read as both a standalone achievement and as part of a broader national literary conversation about identity, history, and the possibilities of narrative form.

About this assessment: Editorial scores are aggregated from 1 independent sources including major literary prizes, critical surveys, and leading publications. Our editorial team reviews and contextualises this data. Rankings reflect critical consensus, not personal opinion or popularity metrics. Learn about our methodology.